“A screaming comes across the sky.”

I found The Wonderful Wizard of Oz. So much for memory.

I remember buying a copy of the Books of Wonder edition of Wizard for the son of our contractor. The contractor had borrowed a copy of the recent University of Nebraska edition of Baum’s Twinkle Tales, a collection of fantasies starring a girl named Twinkle that were actually set on the prairie, rather than in a separate fantasy land like Oz (or Mo or Ix). The contractor’s son reportedly loved the book, but had never read The Wizard of Oz so when I saw the Books of Wonder edition at the used bookstore I bought it as a gift.

The contractor had had the strange notion I’d be doing him a big boon in his seven-year-old son’s eyes if I found an original edition of The Twinkle Tales. The contractor’s own eyes clearly glazed over when I said the U of NE paperback is the first time all those stories appeared together and tracking down the originals would be very expensive and … And I knew having some dumb collectible wouldn’t be any fun for a small boy.

When I found the copy of Wizard in good condition without a dust jacket I knew it the better choice. A couple weeks later the boy came to the house with his mother and, after parental prodding, thanked me for the book. But what gratified me more than a few mumbled words was the way he hung onto the book and swung it around while he talked about it and talked about how he liked the Wicked Witch.

I liked the Books of Wonder edition and decided I would get one for myself. So I guess it seemed like a lot of time passed between the purchases. Must not have. Because I discovered the copy I bought for myself (also used, but with dust jacket!) at the bottom of the shelves I shoved my Oz books onto, hidden behind cardboard to keep the construction dust from coating them (& to protect from cats peeing). Time elongated over the course of that renovation …

Finding the book after looking for it so long was almost a disappointment. I’d taken to picturing myself paging through other editions in search of the perfect unDenslow Wizard, thus shaking up my settled notion of the classic. Okay, so I was wrong about the book not being purchased “long after things had to be gotten out of the way of the workers and the dust.” My tactile memory was good, even if my chronology was whack. And, having looked over another illustrator at the bookstore I ducked into on my way home from the dentist this morning, I’m good with W.W.

I did buy an Oz book while I was there. Dorothy and the Wizard in Oz. Also a Books of Wonder edition. Nice color plates. I got it for 20% off because I was able to identify the opening sentence the bookseller had written as a challenge on the chalkboard on the sidewalk. “You Googled it!” he said. Oh please.

“A screaming comes across the sky.”

The Mysterious Disappearance of Oz

Sometime in the last year I found a like-new copy of The Wonderful Wizard of Oz at a local used bookstore. It’s a recent edition created by Books of Wonder & Morrow, but it is modeled after the first edition of Wizard and W.W. Denslow’s beautiful design.

I’ve been imagining rereading the Oz series, all 40+ books, and I was thinking that recent acquisition would be a fine place to start. Y’gotta start with Wizard, of course, but there are many editions and many illustrators who have added their vision to Baum’s. Being as I fell in love with Wizard reading a Dover edition, a paperback which does a pretty good job of reproducing Denslow’s design – as well as his illustrations – and considering I virtually have the book memorized I read it so many times as a child, perhaps it would make the reread a fresher experience if I took advantage of an edition illustrated by someone very unlike Denslow.

Sacrilege!

… No, no. It’s not a bad thought, actually.

A thought that probably would not have entered my head had not that nice BoW/M edition gone missing. I have no idea where it could be. I haven’t dug down to the bottom of every pile or opened every stacked box, but I was sure I had no need to. Since the renovation completed we’ve been unpacking boxes, not filling them. I don’t remember when exactly I bought this new edition, but it was quite recently, long after things had to be gotten out of the way of the workers and the dust. So where could it have hidden itself?

stats

For LoveSettlement, my other blog, I set up a Sitemeter, but for Dare I Read I haven’t had any statistics. Until this week. When Blogger decided at last to offer some up on the publishing dashboard.

I didn’t have a Sitemeter on DIR because when I signed up for it, it didn’t look like you could have more than one. Maybe that changed or maybe I just didn’t understand the way it worked. But LuvSet got so few visitors that the stats service told me little; it hardly seemed worth bothering with. The one thing that seemed clear, the more frequently I posted, the fewer visitors I got. The “Thousand” project, which has been just about all LuvSet’s been occupied with this 490 days, sure hasn’t brought in the readers.

When I got the Sitemeter I was making efforts to promote LuvSet. DIR I was just letting gather what eyeballs it could on its own. I didn’t figure people would care that much about my reading. My one test to see if DIR was getting noticed was adding Google Adsense. I forget how long the ads have been there, hunkered down in the right hand column. Two years? Three? Five? You don’t get a check until the ads have earned $100. So far the account has accrued $7.01. Only $93 away from getting paid. Thanks, new dashboard! I haven’t checked the account in ages. Now it’s so easy to see.

So it’s fun to see info you used to have to search for. I now know which is my most popular post: Dialect in Wuthering Heights

The post (from 2008) gets twice the page views of any other on DIR, not just in the history of the blog, but every day.

The top four most visited posts are all from 2008. The fifth is from May of this year.

If you’re curious, they are:

#2 Stegosaurus v. Tyrannosaurus

#3 Ant Head Sutures

#4 The French in Tropic of Cancer

#5 Cowboys and Pistols

And to put this in perspective, not even the Wuthering Heights post has yet had a thousand visitors.

what I picked up at SF Zine Fest

The Comic Book Guide to the Mission: a cartoon tour through San Francisco’s Mission District collected and edited by Lauren Davis

Kiss and Tell: a romantic resume, ages 0 to 22 by MariNaomi

Estrus Collection, vol. 2 by MariNaomi

Elf World Vol. 2, No.2 edited by Francois Vigneault

Ebb and Flood no. 1 by Brian Herrick

a painting of a falling robot by Adam Davis

also a bunch of postcards, most of them free promo, one or two purchased

"two guys who kissed each other – often"

SimCity and The Sims are games designed by a shy skinny guy named Will Wright. He worked on SimCity on spec while at Broderbund but that company couldn’t see a way to market it. Not until Wright formed a new software company, Maxis, with business partner Jeff Braun did SimCity get its chance. Gee, it was a huge success. In his book on the history of videogames Harold Goldberg describes the trouble huge success got more than one videogame company into at the end of the 90s when the tech bubble was in full expansion. “Maxis incurred pressure from investors to … earn big money. … [A]rrogant idiots were brought in as bosses. They knew nothing about games. …[B]ean counters forced Wright and his crew to release … generally unfinished, unpolished, sometimes untested games.” One of the bits of coding that slipped through was this instance of guerrilla gay activism:

While working on SimCopter, a programmer who was secretly annoyed that there were no gays in Maxis products surreptitiously added two guys who kissed each other – often. That did not sit well with Wright and Braun, who had made certain that Maxis did not discriminate and had health care benefits for gay partners. The employee was shown the door, but the damage was done. SimCopter had to be recalled, which hit the company’s stock hard, not to mention the harm it did to its reputation.

Goldberg does not make clear whether the blow to Maxis’ reputation had more to do with the poor quality of the game(s) or the gayness of the kissing. I’ve never played any of the Sim series. So I was curious about how they treat gay folks.

According to this post by Lyle Masaki at AfterElton, The Sims “was a breath of fresh air … The Sims' idea of love included same-sex romances. It was a welcoming touch of the real world.” As in the real world, Masaki says, gays could move in together but not marry. As of The Sims 3, however, “after a week of game time, I was able to get a male couple to plan a wedding party and tie the knot.”

And if you want to see some Sims-style gay canoodling, there’s a youtube video you can watch. (It’s kind of cute.)

source: All Your Base Are Belong To Us: how fifty years of videogames conquered pop culture by Harold Goldberg

dolphins swimming badly

Since the mid 80s Denise Herzing has been studying the spotted dolphins who live in the clear waters off the Bahamas. To help fund the project the research boat makes room for a handful of non-scientist observers, or “passengers,” as Herzing calls them in this discussion about mimicry in the new book Dolphin Diaries:

Humans in the water often try to ‘dolphin’ swim, which means keeping your legs together and undulating from the waist. For the most part we are pretty bad at it, jerkily swimming while barely moving through the water. As a well-meaning passenger followed a spotted dolphin trying to get his dolphin kick right, a second dolphin followed the human, but the dolphin used jerky and awkward movements mimicking the struggling human – a dolphin mimicking a human mimicking a dolphin!

source: Dolphin Diaries: My 25 Years with Spotted Dolphins in the Bahamas by Dr Denise L. Herzing

You can also check in on Herzing and the dolphins at the website for The Wild Dolphin Project.

Is Uncle Henry a Gale?

Before the house was swept away by cyclone little Dorothy “lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife.” That’s the way L. Frank Baum puts it in the opening sentence of The Wonderful Wizard of Oz. The order in which they’re introduced suggests that Uncle Henry is Dorothy’s blood relation, with his wife Dorothy’s aunt by marriage. In a sequel to Wizard Baum gives Dorothy’s last name as Gale. He never (so far as I recall) explicitly says whether Henry’s last name is Gale, too.

At the Oz convention this summer I asked a couple friends and Oz scholars if they knew of any post-Baum Oz historian who had given Dorothy parents. Eric Gjovaag remembered an author who had written about Dorothy as though she were a real person and this author had suggested Dorothy was not biologically related either to her “Uncle” or to her “Aunt” but had been shipped West on an orphan train. I thought that an interesting take. I didn’t write any of this down so I’ve forgotten the author and title. I’ll write Eric and see if he remembers.

Anyway, I am reading volume one of The Complete Annotated Oz Squad by Steve Ahlquist and see that he has given Uncle Henry a last name different from Dorothy’s. A panel of the comic shows a mailbox. Explains Ahlquist, “The name on the mailbox is Snow, Dorothy’s mother’s maiden name. Uncle Henry is Dorothy’s mother’s brother.”

In volume two we learn that Henry’s sister is a prominent person in Oz who has been of much help to her daughter.

Yoyontzin

Nezahualcoyotl is a rare pre-Columbian American Indian* poet who is remembered by name. What caught my attention in the small print where editor William Brandon includes biographical material was the second of the two “popular names” by which Nezahualcoyotl was known. One of the names “was Acolmixtli (‘Lion Arm’), another was Yoyontzin (‘Beautiful Fucker’).”

Considering the variety of connotations “fucker” has acquired, from worst insult to admiring praise, and the fact that “fuck” doesn’t always (or even usually) mean the act of sexual intercourse, I find myself blinking at the moniker. Beautiful Fucker. A legendary name!

*Nezahualcoyotl was an Aztec king

source: The Magic World: American Indian Songs and Poems edited by William Brandon

A Malecite Tale

there was once a woman who admired a dog
the dog was handsome
she liked his face

that night the dog turned into a man
he became her husband

never tell anyone I used to be a dog
never mention it at all
he said to his wife

for a long time they lived together
she never thought of him as a dog
she never spoke of it

but one day she saw some dogs in the village
they were all chasing a bitch
everywhere here and there

so she asked her husband if he would like to be one of them
and instantly he said yes and turned back into a dog
and away he ran with the others

source: The Magic World: American Indian Songs and Poems edited by William Brandon

I found The Magic World on the library book sale shelves at Berkeley Public Library’s North Branch. For many years the library has hosted these mini-sales for the Friends of the Library. People pay on the honor system, twenty-five cents a book. I think the Friends have finally decided not to support this arrangement. Or maybe it was the library administration. The shelves do take up space that could be used for something else. And I imagine the money they bring in is not great.

Still, it’s been a nice resource. Over the years I’ve found quite a few books of interest. Mostly yellowed classics. When I looked it over I didn’t remember The Magic World, though I went through several Native American poetry anthologies some years ago. The copy is in good shape, a lightly-read 40 year-old book. For twenty-five cents I figured it wasn’t a loss even had I read it before.

And I have. Enough time has passed, it seems, that I remember almost nothing specific, except for (curiously?) the typography. I find the cover ugly, a line drawing of a big-chinned American Indian man with his long hair parted in the middle and restrained by bands at the sides. A silhouette of a man on horseback seems to be riding out of the Indian’s left eye socket. Maybe I read an edition that had a different cover or a rebound copy. The pieces in the book are from a variety of sources, many not originally recorded as poetry – speeches, explanations, contracts. On the whole I wasn’t much impressed, but toward the back I came upon some pretty brilliant dream-like stories, the “Malecite Tale” being one. (A few pages later the Natchez tale, “The Cannibal’s Seven Sons,” confirmed for me that I’d read the anthology before. The poem is one I copied out by hand and have read over many times.)

The “Malecite Tale” above was first published in The Journal of American Folk Lore in 1917. According to Wikipedia, “The Wolastoqiyik, or Maliseet [Malecite], are an Algonquian-speaking Native American/First Nations/Aboriginal people of the Wabanaki Confederacy. They are the Indigenous people of the Saint John River valley and its tributaries, between New Brunswick, Quebec, and Maine.”

hat tip to VintageVida for the cover scan

Orcas in grief

[A]n adult male and female [were] swimming side by side in the weak November light. One had a baby draped over its head. Van Ginneken had seen this activity before as a form of play, with the mother lifting the infant from below or the baby swimming onto her head as if to hitch a ride. But there were only two spouts rising from this group of three. The baby, she realized, was dead.

Next, van Ginneken saw the male rise with its head high above the water as in a spy-hop. It was carrying the baby on its pectoral fins, held forward the way we would carry a child in our arms.

The observer, Astrid van Ginneken, is a scientist studying whales. She loses track of the infant and the male/female pair as they come upon a larger group of orcas. The orcas formed a stationary circle, “heads partly raised and facing inward …”

There in the middle floated the baby’s corpse. Time and again, the whales broke off, reformed their line at a distance, approached the infant, and spread out to face it in a circle. A storm gathered, sucking what little brightness remained from the sky. As van Ginneken’s boat left for shore, the ceremony was still being repeated.

source: The Grandest of Lives: eye to eye with whales by Douglas H. Chadwick

rings

When Dan Savage married Terry Miller, his partner of ten years, the wedding was a rush job. Sometimes in my reading I come across people describing things that happened to them that happened to me pretty much the same way. I will title posts about such instances “Notes Toward an Autobiography by Others” (see where I’m from in the tags). I’m not giving this post that title. But there are some parallels. The wedding Kent and I put together was a rush job. Although, if you believe Dan’s account in his book, The Commitment the rush of theirs makes ours look slow and deliberate. Actually, Dan and Terry had a reception carefully planned – with help from professionals – that they’d intended only as an anniversary party, celebrating their ten years together. Yet shortly before the party they decided they had to tie the knot legally. (Read the book to get the whole story on that.) Living in Washington state the closest place they could get a legal ceremony was Canada.

The Canadian official who agreed to perform the ceremony on short notice told them to meet her at such and such a time with their rings. Terry knew a shop in Chinatown where they could get rings with no waiting. To help their young son get in the spirit of the thing Dan told him he could pick out the rings. DJ looked in the display case and pointed at two silver rings that featured skulls. Dan’s protests were quelled when DJ offered his reasoning:

”You’re going to promise to stay with Terry until you die. So when you look at your ring, you’ll see a skull and you’ll remember that you and Dad will be together until you’re both dead and you’re both skeletons and both your skulls are showing.”

After a day of various hilarious mishaps (only funny to those of us reading about it later), the newlyweds collapse in their hotel bed, their son snoozing between them. Dan, like me, a sometime insomniac, stares awhile at the ceiling.

I was about to roll over when I noticed that Terry was awake, propped on an elbow, watching me turn my wedding ring round and round on my finger. Terry made a fist with his left hand and held it out, above our sleeping son, his silver skull glinting in the dark. I made a fist with my left hand and we knocked our knuckles together, our silver skulls clacking as they smacked into each other.

“Powers of gay marriage activate,” Terry said, smiling sleepily.

Kent and I, we tap our rings together, too. And some sort of secret powers active.

source: The Commitment: love, sex, marriage, and my family by Dan Savage

straight-washing the emperor

Although copious evidence exists to confirm the homosexuality of Puyi, final ruler of the Qing, the creative heterosexual love scenes in the acclaimed film The Last Emperor have created a lasting impression in both Asia and the West that Puyi zestfully took advantage of his female concubines.

What? Hollywood rewrote history to conform to popular tastes?

You know, I bet so many “real” figures have been straight-washed for their filmic treatments that if every biopic for the next ten years included a prominent gay affair (at the very least) the result would be more true to life than the last hundred years of gay-free moving pictures. (I should note that Hollywood will make the occasional exception from its landscape of hets for the villain whose sexuality is merely more proof of his depravity.)

source: Passions of the Cut Sleeve: the male homosexual tradition in China by Bret Hinsch

The Half-Eaten Peach

Bret Hinsch traces a tradition of male loving through 3000 years of Chinese history in his Passions of the Cut Sleeve. As time went on those who would speak of gay love could use a sort of shorthand – referring to a “cut sleeve” would conjure a story (an emperor was so enamored of his male lover that the emperor cut the sleeve on which the lover had fallen asleep in order not to disturb him), a story of gay love, which the highly educated literate elite would recognize and understand. The names of famous gay “favorites” of ancient emperors would provide similar service in conversation or poetry.

Another bit of shorthand was “the half-eaten peach”:

[One] day Mizi Xia was strolling with the ruler in an orchard and, biting into a peach and finding it sweet, he stopped eating and gave the remaining half to the ruler to enjoy. ‘How sincere is your love for me!’ exclaimed the ruler. ‘You forgot your own appetite and think only of giving me good things to eat!’

I like this one. Back in those days I imagine the product of the peach tree was less uniform. Pick two peaches and the chances of them both being delicious is not great. If you luck out and get a yummy one there’s that much more incentive for polishing it off. And you are that much more generous for sharing the treat.

I don’t like the “half-eaten” part of the phrase, though. “The saved peach”? Maybe … “The selfless peach”? … Neh … I’ll have to think on it.

source: Passions of the Cut Sleeve: the male homosexual tradition in China by Bret Hinsch

space density

I have seen pictures of spiral galaxies, glistening whirlpools of stars, and I always took it for granted that (somehow) the matter in a spiral galaxy was concentrated in the very visible arms. Not so:

The spiral arms are delineated by a high space density of particularly luminous stars and luminous interstellar clouds. Elsewhere in the disc the space density of the stars and interstellar clouds is no less; it is just that they are not as bright.

I suppose someone has a guess why matter separates into luminous matter and less luminous matter (which is not “dark matter,” right?).

source: Pluto: sentinel of the outer solar system by Barrie W. Jones

Go, Gay Nephews!!! Go, Gay Brothers!! (And you girlfriends, you're great, too!)

So I'm reading this morning's NY Times article about the tight campaign (mostly orchestrated by Governor Cuomo, the Times says) that finally brought marriage equality to New York State, and I come across a sentence that makes me do a double-take.

Let me set the scene. Senator Kruger is a Democrat. When a bill came up two years ago, he voted against marriage equality. According to the article, marriage advocates saw him as a lost cause, figuring it was more likely they could turn enough Republicans than that they could get Kruger. But there was something marriage advocates didn't know about Kruger. He was getting blowback for the anti-gay vote in his own home:

The gay nephew of the woman he lives with, Dorothy Turano, was so furious at Mr. Kruger for opposing same-sex marriage two years ago that he had cut off contact with both of them, devastating Ms. Turano.

You mean Senator Kruger, who is living in sin, gets to veto whether other people get married? Yet he's realized the error of his ways because he needs to repair the relationship between his unmarried partner and her gay nephew!

OK. So I'm remembering reading that Governor Cuomo's wife has a gay brother or sister, and wife has been pushing Cuomo to get gay marriage legal already. To clear up my fuzzy memory I reread the article looking for that part and find I am mistaken:

The pressure did not let up at home. Mr. Cuomo’s girlfriend, Sandra Lee, has a gay brother, and she frequently reminded the governor how much she wanted the law to change.

It's not Governor Cuomo's wife who is pushing for equality but his girlfriend.

Let me paraphrase. Straight legislators were lobbied to support marriage equality by their unmarried partners who were concerned about their gay relatives inability to marry. Yay!

“translate that estrangement”

Todd Ramon Ochoa:

The task of translating is not so much to transform the difference, which is to say the difference from Spanish to English, as much as it is to communicate the difference poetry generates in its own tongue. … Translation is not to … bring foreign language under control … Rather, I see translation as the turning of English into a foreign language unto itself, which is exactly what poetry is doing: it’s creating a foreign and strange turn in whatever language it is written in. It’s vital to also translate that estrangement.

source: an interview conducted by Hania Hussein in Berkeley Poetry Review #39

tradition

A couple weekends ago we went to a matinee of Cave of Forgotten Dreams, the new 3D movie of the Chauvet cave paintings. The paintings are more than 30,000 years old. And they are dramatic, fully realized, not at all primitive. Clearly the artists who created them had practice and were working in a tradition.

Although I found Werner Herzog, the filmmaker, an irritating presence (and Kent found the 3D nausea-making), I became intrigued by the paintings. When Gregory Curtis’ recent book on Ice Age era European cave paintings passed under my nose at the library I decided to give it a try.

After listing a number of similarities among paintings found in caves from France to Spain Curtis says:

The immutable similarity in themes, colors, and techniques shows that the cave paintings were the creation of artists working in a cultural tradition that survived for more than 20,000 years. … [A]s painting is both an art and a skill that must be learned, and as there was a single acceptable style to which the painters had to conform, the skills of painting must have been taught.

The paintings are the physical remains of a sophisticated culture? A civilization that lasted 20,000 years? Can one talk about civilization without cities? The paintings reveal a continuity that can’t be coincidence. These were people who knew how to transmit consistent and well-defined ideas across millennia. Today we have a hard time comprehending the mindsets of people a hundred years removed from us. A culture a thousand years old seems weird and foreign, even if we can trace our ancestry to the people. The painters decorating a cave in 10,000 B.C.E. were comfortably working in a style their brethren of 10,000 years prior would have known and approved.

sourceThe Cave Painters: probing the mysteries of the world’s first artists by Gregory Curtis

Tasp or Taze?

In The Ringworld Engineers Larry Niven posits a pleasure Taser. Imagine you are a cop and you are faced with a man brandishing a weapon, maybe holding somebody hostage. The man is clearly in pain, angry, anguished. But also dangerous. And you have to neutralize that. So you point your Tasp at the man and remotely stimulate the pleasure center of his brain. The tension goes out of him. He relaxes, smiles. He laughs at the gun in his hand and lays it gently on the ground.

Or, in Niven’s more innocent scenario: “A dour stranger wanders past, rage or misery written in the sour lines of his face. From behind a tree you make his day. Plink! His face lights up. For a moment he’s got no worries at all.”

Lemmings

Chris Palmer has been involved in producing nature documentaries since the early 80s. In his history of the genre Disney’s wildlife films come in for praise and criticism. I know I saw Disney stuff growing up, some of the movies staples of the classroom. My mother’s criticism: Disney cuted up the animals, making up stories and putting words in the animals’ mouths. Palmer agrees with that. He also discusses instances where the Disney filmmakers forced or tricked animals into performing for the camera.

The most infamous example of misleading information in a Disney film involves that scene from White Wilderness in which the lemmings jump off a cliff en masse – or so it appears. … So memorable were these images that even today many people believe that lemmings engage in blindly self-destructive behavior. But the whole scene was fabricated. A 1982 investigation by reporter Brian Vallee of the Canadian Broadcasting Corporation revealed that Disney filmmakers had forced a few dozen lemmings to run on a snow-covered turntable and even threw some into the sea to create the dramatic scene. … Some species of lemmings do become overpopulated, do migrate in swarms, and sometimes do drown crossing streams, but they never jump off cliffs suicidally.

Lemmings. The narrator of White Wilderness claims that there has long been a legend of suicidal lemmings. Having read the debunking of the Disney version of the “truth,” I wonder how ancient this legend is. Did the Disney filmmakers create it out of whole cloth?

The Urban Dictionary includes a very contemporary definition of lemming, “A lemming refers to a purchase/wished-for-item which results from reading an enthusiastic post about a new fabulous product. Overcome by compulsion, readers follow like lemmings diving off a cliff.”

That gibes with other definitions. Lemmings are creatures who, without thought for themselves, will follow a leader right over the cliff. It ain’t true?

There’s also a Snopes article on White Wilderness, which backs up Chris Palmer and adds a few details. The film’s narration claims the rodents are swimming out to sea, for instance. Snopes says no, the footage was grabbed “in Alberta, Canada, which … has no outlet to the sea. Lemmings were imported …” The water the poor wee critters are bobbing in? A river.

You can watch (or rewatch for the umpteenth time), the lemmings snippet from White Wilderness on youtube.

Let me conclude with a couple lines from a poem I wrote in high school:

Where did you go?
The edge of the world where the sea falls off and the lemmings stop to ponder their fate before plunging.

source: Shooting in the Wild: an insider’s account of making movies in the animal kingdom by Chris Palmer

remember to write your memoirs

Three memoirs I’ve lately liked:

A Round-Heeled Woman by Jane Juska.

Chasing the Sea: lost among the ghosts of empire in Central Asia by Tom Bissell.

The Blue Bear by Lynn Schooler.

I suppose I should say something to convince you each is worth a try. A capsule review. A summary sentence even. I started to. I swear.

Instead let’s wish my brother many happy returns of the day:

Happy Birthday, David!

Almost six and a half years of Dare I Read, too.