“migrant and unspecified forms”

[T]he right to look, for unstructured amounts of time, at migrant and unspecified forms, and at the relation between them, without demanding that the forms have a single meaning, and without demanding that whatever significance I ascribe to these forms be defensible, explicable, or based on any evidence but my own sensations.

This is how Wayne Koestenbaum descries one’s “rights” in regard to the experience of viewing abstract art.

source: My 1980s & Other Essays by Wayne Koestenbaum